The older look. Here for comparison, not for approval — the new look is the venue page, Paradesi Synagogue.

Pepper House

Come for the ceiling, not the coffee. Ask at the desk which rooms are open — it changes.

Ginger
a real photograph
The courtyard from the first-floor landing, before the Biennale crowds arrive.

It is down the lane past the barber, the one with the blue shutter, and you will walk past the entrance twice before you find it. Everyone does. The doorway is a gap in a wall and there is no sign worth the name.

Inside, the courtyard opens up and the noise of Bazaar Road stops completely. That is the thing worth coming for. The café at the back does a fine enough filter coffee and an ordinary sandwich; nobody has ever come back here for the sandwich.

Ask at the desk before you climb. The upstairs rooms are not always open, and whoever is on will tell you either way rather than let you walk up to a locked door.

Hours
11 am – 7 pm They post 10 am. It opens at 11.
Tickets
Free. The café is not.
Closed
Mondays

The hours on this card are illustrative. They show what a posted-versus-observed fact looks like; nobody has stood outside this door with a notebook. Do not plan a morning on them.

We haven't checked whether the upstairs gallery is open to the public this month. Ask at the desk.

Checked everything except the gaps above ·

What we've written about here

What's on here

Times here are illustrative. This is the shape of the what's-on list, not a researched programme — events are not recorded yet. Check with the venue before you go.

A venue page assembled entirely from the system: cat opener carrying the verdict, told body, facts strip with a contradiction and a refusal, the two lists, read next. No web fonts, no JavaScript, one accent colour used once, and no cat marks anywhere — the brand is carried by the type, the amber and the writing. The site name is real text, waiting on the cropped logo mark.